Story board and call sheet- Even though these are pretty vague all the
shot types were the same through out filming all the different sections of moorland as they were all
panning establishing shots of moorland. This planning along with my previous
practice shots and inspirations from films such as
Submarine and
American Werewolf in London (which I will later go on to explain) meant that I was fully prepared for the real shoot as I knew exactly what I wanted.
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The sky taking up almost 5/6th of the frame |
I wanted the sky to take up the more than half of the frame so the titles could be clearly seen.
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Shots feature moorland |
As the shots are
establishing shots, which hint at the location of our film (Yorkshire moorland hinting at Yorkshire countryside town) the shots all need to be
extreme long shots and they also all need to be the same type of shot so that they can all be smoothly
edited together.
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Inspiration from Submarine |
All the shots are
panning as we have taken
inspiration from the film
Submarine (you can see my
analysis of the film earlier on in my blog). In
Submarine's opening there are
panning shots of the inside of the
main protagonists bedroom setting up the
location and
character.
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This was my inspiration for the moorland shots |
Another film that influences our
opening shots is
American Werewolf in London. As this film is also set in the Yorkshire moorland they use
extreme long shots of moorland which show
exposition much like we have.
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