SHOOT 5 Planning: story board and call sheet

This is the story board for the bad boy shoot

This is a story board of the shots I did to help me organise and plan the scene. 

I did alter it a bit to fit with with the situation.  We first get a close up of the Bad 

boys shoes slowly panning upwards revealing his cigarette. It then cuts out to a

 long shot revealing his moped and another close up on the cigarette to enhance

 the fact he is smoking. We then see him get on his bike and drive away.

 This is the call sheet for the badboy scene

This helped me to stick to a schedule which also helped with my time management. I knew exactly what I needed to do and when due to the call sheet, so this made sure I got all the shots I needed it the style that we needed. 

Shoot 2: Planning, story board and call sheet

Planning 

This is the storyboard and call sheet we used to get all of the shots we needed for this scene. 

We will start with a close up of the record player being turned on. Then we will 

have a shot of Harry's face peering round a mannequin and then a close up of 

his face lip sinking the words of the song. We will then get a closeup of his feet

 dancing and then a long shot from outside the shop of him dancing. We will then 

get some more medium shots of him dancing which includes running up the stairs 

and swinging of the banister. We then will get a close up of the badboy as he walks

 in and turns the music off.

Call sheet

Story board

SHOOT 1: Moor shots story board, call sheet, planning, inspiration

Story board and call sheet-     Even though these are pretty vague all the shot types were the same through out filming all the different sections of moorland as they were all panning establishing shots of moorland.                             This planning along with my previous practice shots and inspirations from films such as Submarine and American Werewolf in London (which I will later go on to explain) meant that I was fully prepared for the real shoot as I knew exactly what I wanted. 

The sky taking up almost 5/6th of the frame

 I wanted the sky to take up the more than half of the frame so the titles could be clearly seen.

Shots feature moorland 

As the shots are establishing shots, which hint at the location of our film (Yorkshire moorland hinting at Yorkshire countryside town) the shots all need to be extreme long shots and they also all need to be the same type of shot so that they can all be smoothly edited together.

Inspiration from Submarine

All the shots are panning as we have taken inspiration from the film Submarine (you can see my analysis of the film earlier on in my blog). In Submarine's opening there are panning shots of the inside of the main protagonists bedroom setting up the location and character.

This was my inspiration for the moorland shots

Another film that influences our opening shots is American Werewolf in London. As this film is also set in the Yorkshire moorland they use extreme long shots of moorland which show exposition much like we have.