Even though originally we were influenced by the extreme long shot scenery shots from Submarine, I then looked into other examples of extreme long shots of moorland in the opening sequence. I found examples of this in An American Werewolf In London. These shots contain many of the same shot types and framing as Submarine. We decided to base our own shots on these.
Submarine |
An American Werewolf In London |
The film American Werewolf in London also uses unusual framing, making the land take up nearly 4/5ths of the frame. This is what we would want to do but the opposite way around so the sky takes up the majority of the frame.
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