Rom-com conventions
BINARY OPPOSITE WITHIN LOVE TRIANGLE
Within the love triangle of the films, there is always binary opposition between two characters that the main protagonist has to choose between. For example in Bridget Jones Diary, Bridget has to choose between the-well-to-do, upperclass barrister, Mark Darcy and the sleazy yet charismatic Daniel Cleaver who also happens to be her boss. Another example of this would be in The Notebook, Allie has to decide between her summer romance and first love Noah, a country boy who's very poor and only has his love to give her and Lon, her parents choice, a wealthy handsome business man who can giver her everything she's ever wanted and more.
THE "MEET-CUTE"
This is the first encounter of the two potential romantic characters in an unusual or comic circumstance, film critics like Roger Ebert referred to this as the "meet-cute" situation. During this
THE REUNION
At the end of every Rom-Com the two main characters that
ADULT VS. TEEN
Another common convention of the Rom-Com genre is that there are two main types of them, teen Rom-Coms and Adult Rom-Coms. The difference between the two is that and adult one is usually centred around the "adult life" so the main protagonist will be 20+, they usually have the "meet-cute" in the workplace or around this, their main audience is 18+ whereas in a teen Rom-Com the main protagonists are under 18 focuses on aspects of teen
From looking at five different Rom-Com openings I have decided on some main conventions
and key things that appear.
Rom-Coms I looked at:-
Dear John
Bridget Jones Diary
About a Boy
Love Actually
Four Weddings and a Funeral
Notting Hill
The Notebook
Wild Child
VOICE OVER AT THE BEGINNING
At the beginning of Dear John, Bridget Jones Diary, Love Actually
Rom-Coms I looked at:-
Dear John
Bridget Jones Diary
About a Boy
Love Actually
Four Weddings and a Funeral
Notting Hill
The Notebook
Wild Child
VOICE OVER AT THE BEGINNING
Bridget Jones Diary opening scene |
and About a Boy the voice over is normally by the
main protagonist of the film and it is usually, particularly
in these examples, a really important and meaningful message
that is conveyed. In Love Actually for example, Hugh Grant
talks about love and how its everywhere and when it comes down
to it, thats all that matters. It also gives us an
insight to the character, in Bridget Jones Diary her voiceover tells us a lot about her
situation, "It all began on New Years Eve on my 32nd year of being single. Once again
I found myself on my own going to my mothers annual turkey curry buffet, every year
she tries to set me up with some buffy haired bore..." In this first 20 seconds or so we
Love Actually opening at Heathrow Airport |
already know that she's single and she has been for some time, she's reluctantly going
to her mothers and that her mother has had some disastrous
attempts at finding her a boyfriend. The voice over gives exposition.
LOVE TRIANGLE
In almost every rom-com there is a love triangle,
Dear John opening |
About a Boy opening |
LOVE TRIANGLE
The Notebook, showing the love between Noah and Allie |
this is a situation where there is a couple who are
"meant to be" but there is another person who
also loves one of these people. In Bridget Jones
Diary theres herself, Daniel Cleaver and Mark
Darcy, in The Notebook its between Noah, Allie
and Lon. The love triangle usually is what the
film is based around, e.g The Notebook the
whole film is based around the fact that Allie, a well to do upperclass lady, is in love with Noah,
who's a low class working man, but she is destined to marry Lon who is also a well to do business
man. This then takes over the full film as we see the tragic tale of a girl who has to choose between
her heart and her mind.
BINARY OPPOSITE WITHIN LOVE TRIANGLE
Daniel Cleaver |
Mark Darcy |
THE "MEET-CUTE"
Notting Hill opening scene, two shot |
the scriptwriters often create a humorous
sense of awkwardness between the two
characters by an initial clash of personalities
or beliefs, an embarrassing situation, a comical misunderstanding or a mistaken identity.
InNotting Hill the two protagonists meet in Hugh Grants characters bookshop when a man
hides a book down his pants and then asks for an autograph off Julia Roberts' character
which creates an awkward atmosphere between William and Anna. They then run into each
other again and this time William spills his drink all down Anna's top which is an embarrassing
situation for them both yet humorous for the audience.
THE REUNION
were established as the "meant to be" pair reunite at the end
of the film. In The Notebook, when Allie sees Noah's picture
in the paper she immediately drives to his house to see him
again and when they're reunited, although awkward at first, their love is rekindled.
ADULT VS. TEEN
Four Weddings and a Funeral Cast |
Wild Child dinner scene |
culture and the aim for their audience is 12-18. Wild Child is an example of a teen Rom-Com
as the main protagonists are all below or around 18, Four Weddings and a Funeral is an example
of an Adult Rom-Com.
The opening shot of a Rom-Com is normally an extreme long shot of the surrounding area but with its focus on the main protagonist.
OPENING SHOT
Establishing shot of Bridget Jones Diary |
Opening of About a Boy. |
Opening of Wild Child. |
In the films Love Actually, Bridget Jones Diary, About a Boy and Wild Child a tracking shot or a
panning shot is used and it will follow the main character with either an audio bridge over the top or a voiceover.
AUDIO BRIDGE
The audio bridge in almost every Rom-Com is either pop or pop/rock music being played while
the establishing sequence is taking place.
TITLES
The titles that run through the opening sequence of a Rom-Com are usually in a sans-serif font and have the attributes of a hand-writing, swirly or bubble nature. Also the colour is usually a bright and bold to connote that it isn't a serious film. For example in Bridget Jones Diary they use a mix of bubbly
styled writing and also a hand-writing styled font.
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